Category Archives: Hbo Series

We are getting in our shipment of this highly limited collectible next week. Manufactured by Dark Horse on their Game of Thrones license it is a limited edition of 500 pcs, these are pretty big, each one weighs 26 pounds (they’re also expensive to ship for this reason). In addition to the 500 pc edition Dark Horse made 125 Artist Proofs for HBO to distribute to VIPs. Artist proofs for HBO to give away to VIPs or use for promotions. I can assume people like Dan & David, GRRM, Sean Bean perhaps, would get this version as a gift. There was a shipping goof up and we got sent 25 of them, HBO decided they didn’t care and so we get to sell these to you. So unless you’re on HBO’s VIP list, only 25 are available in this edition. They are marked (I’m told) Artist Proof xx/125. Both versions will be in stock next week.

The artist proof version is available to order here.

The limited edition version is available to order here.

We are pleased to annouce the newest product in our line of licensed collectibles from the HBO® series Game of Thrones®. Robb Stark’s sword features a high carbon steel blade with a full tang. It was modeled directly on the actual screen used prop from the show, with accurately matched materials and dimensions. It is a limited edition of 2500 pcs and will come with a display plaque and a certificate of authenticity. Robb’s Sword will retail for an MSRP of $230, we will start accepting preorders on Sunday January 13th for Spring 2013 deliveries.

We are pleased to annouce the newest product in our line of licensed collectibles from the HBO® series Game of Thrones®. The Catspaw Blade is a damascus steel replica of the weapon used in the assassination attempt on Bran Stark. It was modeled directly on the actual screen used prop from the show, with accurately matched finishes and dimensions. It is a limited edition of 2500 pcs and will come with a display plaque and a certificate of authenticity. The Catspaw Blade will retail for an MSRP of $270, we will start accepting preorders on Sunday, January 6th for Spring 2013 deliveries.

We are pleased to announce the newest product in our line of licensed collectibles from the HBO® series Game of Thrones®. The Hound’s Helm is a fully wearable helmet reproduction with operable jaw visor. It was modeled directly on the actual screen used prop from the show, with accurately matched finishes and dimensions. It is a limited edition of 2500 pcs and will come with a display stand and a certificate of authenticity. The Hound’s Helm will retail for an MSRP of $300, we will start accepting preorders, on Saturday December 22nd at 12 noon EST, for Spring 2013 deliveries.

We are pleased to announce we have acquired exclusive rights to produce weapon and armor prop replicas from the HBO® series Game of Thrones®. We will begin manufacturing these items while continuing to work on the “A Song of Ice and Fire” book replicas we already produce. We are very excited about the ability to pull from the designs the prop designers on the show have come up with. We have already started work on the Bran Assassination Dagger, the Hound’s Helm, a Stark Infantry Shield, and Robb Stark’s Sword, which we hope to have out by the end of the year. Many are likely wondering if we plan on producing show versions of the book swords we have already done, the answer to that is yes, we intend on eventually doing that.

Far be it for anyone to accuse us of not being a cheerleader for the HBO series. We definitely want it to do well, and we like to cheer it when it does do well. Our facebook fan page is nearing 5,000 people, but the Game of Thrones series page just passed 1 million. I don’t know if it is the fastest to 1 million ever, but it did seem pretty fast.

I decided to do some analysis comparing Game of Thrones social reach to some other acclaimed cable TV shows.

I included Breaking Bad and Mad Men, even though they’re not on premium channels, because they are perennial emmy competition. I also included a handful of shows that are off the air now, those have been marked with an asterisk.

Surely the number of Facebook likes a series has will depend on the genre and the demographic it appeals to. The younger the demographic, the more wired the demographic, the more likely you are to get the Facebook love. However, parents and even grandparents are getting on Facebook now, the world changes.

Why is this sort of metric important? Well, Facebook is the new water cooler, this is where people get recommendations from their friends, this is where people discover new media and new content. The number of facebook likes lends itself both as an indicator of a show’s success, and as a predictor of future viewership growth. The more fans you have, the more new fans those current fans can introduce.

So, Game of Thrones is doing pretty good. It is no Dexter, no True Blood, but it spanks Boardwalk Empire, and destroys shows like Camelot and The Borgias, and even The Tudors, which had years to gain fans.

To be fair, shows that have been on for 6 seasons have had more time to accumulate fans. So I did another graph, I did total air time for a series, from the date of the premier to today, rounding it off as necessary to keep things simple. In the case of series that are now off the air I did premier to finale dates, or simply gave them credit in years for the number of completed seasons.

So this graph shows the average yearly number of likes a show has received since premiering.

Here, Game of Thrones knocks the pants off of everyone. The only close competition is The Walking Dead, which I liked, and thought was a decent show, but the writing wasn’t nearly as good. Often in that show the characters did really dumb things, and there were a couple plot holes. Of course I am almost assuredly biased, and in truth they aren’t even that close.

So, this is just another metric that shows how successful Game of Thrones has been. Let us hope it keeps up.

Tonight is the final episode of season 1 of Game of Thrones on HBO, then we’ll have to wait a year. In looking forward to the episode tonight (and on the side wondering if GRRM will even be able to watch it, in Poland, or will he have to wait until he gets back?), I find myself looking back on the series as a whole. After the final episode I fathom I’ll do an overall series review, but for now I want to talk about one man, Mark Addy.

Mark Addy was, outside of hair color questions, the one actor I was unsure of with the original casting. The child actors were largely unknown, but all looked right. I’d tune into see Sean Bean read the phone book. Peter Dinklage was an obvious choice. I liked Lena Headey in both Terminator and 300. But Mark Addy? I knew him well, there was a time when Still Standing was my favorite sitcom. But, this was the guy from Still Standing, A Knights Tale, The Full Monty, and Friar Tuck in the most recent Robin Hood movie. This was a comedic actor, and he wasn’t even tall.

Looking back though, I think he easily did the best acting of the entire cast for season 1, which is not to say the rest of the cast were slouches, they weren’t, but Addy nailed it.

His best scenes where when he talked about Lyanna. They’re some of my favorite scenes from the series. Mark had to portray bawdy drunk, raving mad, jovial, annoyed, lecherous, and tearfully sad – sometimes all in the same scene. He elevated the performance of the actors who worked with him. What was Lena Headey’s best scene as Cersei? The one where she shares a private moment with Addy’s Robert. What was Nikolaj Coster-Waldau’s best scene as Jaime Lannister? The one where he tells Addy’s Robert about Mad King Aerys. What was Sean Bean’s best scene as Ned Stark? Probably one of the scenes with Robert, perhaps a tie between when they visit the crypt in Winterfell together, when they talk of Jon’s mother, and when they talk of Daenerys’s assassination.

It is telling that every actor that had a scene with Mark Addy performed best in that scene. They were feeding off the powerful performance Addy was putting on. The only sad thing is that we never had scenes of Robert going one on one against people like Littlefinger or Tyrion, those would have been great scenes too. If the definition of a supporting actor is one who helps the lead elevate their work, Mark Addy is the paragon of best supporting actor.

Supposedly GRRM jumped on the Addy bandwagon during casting when he saw him read the scene about Lyanna in the crypt, and that scene was so powerful, so adeptly done, it remains one of my favorite scenes from the series to date, and definitely my favorite from the premier. My other favorites would be the assassination attempt in Bran’s bedchamber, for the directing of it (which was awesome), the scene where Robert tells Cersei they never had a chance, again for the acting. Then probably the Baelor scene, for the writing. I find that the scenes where I have most appreciated the acting, all involved Mark Addy.

I know much of the buzz has been about Peter Dinklage’s Tyrion, but I am going to disagree with that. Dinklage was a critical darling prior to Game of Thrones, the one member of the cast really who was, so it would make sense that he remains so, but his performance was not nearly as strong as Addy’s. Not that Dinklage is any less of an actor, but the material simply is not there for Tyrion this season. Tyrion was largely a one dimensional character this season, he required far less range to pull off.

People of course like Tyrion, as they’re supposed to. Likewise, people dislike (or feel indifferent to) Robert Baratheon, as they’re supposed to. But it should not be a character popularity contest. You may rather hang out with Tyrion than Robert if you had the choice, but that shouldn’t matter is a discussion of the actor’s performance.

In anycase, Tyrion’s best material comes in later seasons, Robert has no more material. I wouldn’t want to see Mark Addy miss out on recognition because Peter Dinklage gets the critical attention, when I know Peter Dinklage will be getting the attention next year, and the year after. There is no doubt in my mind the Mark Addy’s performance was the best of all the actors this season, and he deserves recognition for it.

When Addy’s Robert Baratheon talks of Lyanna and his voice breaks as his eyes well up, there is magic.

I leave you with this scene, as exhibit B. I couldn’t find a clip of the scene from Winterfell’s crypt online, that scene is exhibit A.

You may read my thoughts on the first episode here.

I had not intended to write a review or commentary for each episode, but my first was well received, so I thought I might continue. It gives something to fill the void between sword business.

First of all, I thought the episode was great. When it was over I immediately wanted to watch it again, it felt short, because everything flew together so well. The pacing problems in the premier had vanished. I am still, however, not a fan of the opening sequence. Though I like the music.

I thought every scene in Westeros was well done, especially the Arya and Jon ones. They are certainly my favorite characters, and not just because they have the two swords we have in stock at the moment, though possibly because as a book reader I know they grow into main characters, even if to the uninitiated they may not seem it now.

All told the Westeros side of the story felt well done, it felt alive, and the ending was excellent. I would hope that people who complained after last week of “not knowing who to root for” know now who to root for, and it isn’t the people who order pets to be killed.

If there was one scene I did not like, it was probably Catelyn Stark, CSI. It was all just too convenient. I often joke to my wife when watching CSI “I bet you they find a hair.” because of course they always do. I guess they felt it was the easiest substantive way to establish Catelyn’s suspicions. Though I think the assassination attempt would have been enough.

Unfortunately, across the Narrow Sea, I do have some nits to pick. Something has just seemed off about the action with the Dothraki, and I’m not entirely sure what. I have seen some comments about how the Dothraki seemed white, or seemed a random mix of ethnicities. I don’t really care if they are ethnic this or that, it is a fantasy world afterall, but they did seem, in this episode, to be soft. To me, you can’t just take any extra, put them in Dothraki clothing, and call it good. These are supposed to be hardened warrior nomads, yet they were pale, with flabby arms. Surely a nomadic people would have a tan? Would have muscles toned from working so much? Drogo looks like a Dothraki (a big king of the Dothraki), the rest, this episode, not so much. GRRM has described them as a cross between Huns, Mongols, and Native Americans. There have not been many movies of Huns, or Mongols, lately, but I think back on Apocalypto or further back to Last of the Mohicans and these warriors certainly looked the part. They looked like they spent almost all day outdoors, and that they fought for a living.

I am reminded slightly of that great scene from 300 where a general complains to Leonidas that he has brought more soldiers, Leonidas asks “You soldier, what is your profession.” and hears answers such as “potter” or “sculptor.” He then verifies his own soldier’s profession and states that he is the one who has brought more.

Not that the Dothraki should resemble the bodybuilders of 300, but they certainly looked far more like the potters and sculptors than the soldiers. It just, as a whole, to me, made the Dothraki not feel legitimate. So far, they haven’t felt legitimate.

Aside from looks, I also feel that there are a few missing scenes where Drogo is nice to Dany to provide greater motivation for her desire to please him. In the books it is of course handled differently, and I feel the show failed to establish the right motivation for her change in attitude. I’m hoping that in future episodes such scenes are shown to at least some sort of after the fact motivation for the sake of her character.

My wife and parents (whom I would have never guessed would like this series) both liked the episode. Sunday night prior to watching it we went for a walk and I spent most of the walk explaining, repeatedly, to my wife the chronology of the series, who Jon Arryn was, again, and so on. She wasn’t readily aware of how long Robert had been king, or some of the other back story details. So I told it from the beginning, there was a king named Aerys, and so on. By the end of the walk she understood and at the end of the second episode I asked if she had any problems following it, and she said no, so that is good. My parents only emailed me the one question, which was why was Jon going to the Nightswatch, which was an easy explanation rooted in the history of what bastards and lesser children of nobles often did to prevent any, unpleasantness, when a time of succession came.

I hear that the ratings of this episode were flat over the premier, which is very good. Normally that is a large drop off. The goal of course is to have ratings eventually grow, especially season over season, but if the season finale could have better ratings than the premier, that would be a very good thing indeed.

As I said in the beginning of this post, overall I thought the second episode was brilliant, the things I mention I mention because a post that just said “It was awesome.” would be a short post, and probably not worth writing. I have a warm heart for the future, as those who have seen further episodes have said they get better and better. I would be happy, surely, if they just maintained this current high level, anything more will be icing, it is known.

It is hard for me to review the premier, being so invested in the Song of Ice and Fire world. Following and cheering the series since it was announced. Thinking back to a phone conversation with GRRM back in 2006 where I went on how I thought HBO doing the show would be so great, not knowing he was already probably in secret negotiations. And of course, financially, we stand to benefit from any increase in popularity of the book universe.

As a reader, when I first read the books years ago, I remember struggling at first, I remember the books starting slow and having a problem getting hooked the first few chapters. I was also worried how it started with a Bran POV and I thought it might end up being a book series for kids because of that (hah).

I thought the series started slow as well. It was very loyal to the books, but because I thought the books started slow as well, that made sense. It does make me worry for viewership next week, of course the hook at the end of the episode I’m hoping will take care of that, and that, as I recall, in the books, is the point where things pick up. Then once they all get down to King’s Landing things really start to roll. I’ve heard from some of those lucky people who have seen the first 6 episodes that the later ones are also faster moving and they have different directors. I kinda think that this episode had some editing and directing problems, it could have used snappier cuts, and more dynamic camera shots. I’m no professional of course, but I do consider myself a discerning film viewer. All told it felt a lot like a pilot, which it was. I’m confident those issues will get better based on what reviewers have said. Just, little things, for instance when the direwolves are found, it takes 10 seconds of staring for Ned to identify the beast, which obviously, being so large, it should have been easier for him to do. I’m not nitpicking, but longer shots like that, over an hour, add up and make it seem slower. Then of course, in that scene, the camera never really moved, we only had one angle of the dead direwolf. Maybe they shot other views, but the direwolf looked bad, so they cut them. Or they didn’t even shoot other angles, but that scene, like many, seemed to have far too static cinematography.

I also worry about people understanding everything fully. My wife, who has the benefit of living with a superfan like me, didn’t quite grasp it all. She did like it, she said, but she was confused on a few parts. I explained to her who Jon Arryn was during the episode, almost sure she wouldn’t have picked that up. Later I find out though she doesn’t understand who the King is. She is confused, I think, thinking Pentos is Kings Landing. I told her Robert Baratheon was the King, and she asked me why is he letting Viserys (the platinum blonde guy in her words) do all this army raising. So I have to explain he is on a different continent, that he is in exile. I know these things were of course explained in the show, but with so much new information to absorb they can be missed, I guess. She also didn’t get the time of when Robert ascended to the throne, which I think was not explained well. That it was, what, 17 years ago in the series chronology?

Then Winter-is-Coming.net gives us this review by a fan who also had not read the book, and while the review is glowing, he also was confused. He thought Jon Arryn was king, and was Robert’s father, he didn’t get any of the backstory right, more or less. He loved it though. He was right that Jaime & Cersei had killed the previous King, but he thought that that was Jon Arryn. He also, like my wife, didn’t realize Pentos was a different continent.

Even though it isn’t in the books, I kinda think the series could have benefited from a LOTR style summary at the beginning. Maybe that well used plot device of a child asking their parent about something. Bran comes to Eddard in the godswood and asks who Jon Arryn was, he gets a little history lesson. It is a often used plot device, but it is often used for a reason, because it is effective.

The title sequence, I don’t know, I didn’t like it. I thought it was very old fashioned, very 1981 Clash of the Titans. On my TV it seemed fuzzy too, not HD, which also made it seem old fashioned. When you compare the crispness of the actual series, to the fuzziness of the title sequence, it doesn’t seem to match. I do like the concept of showing the locations relevant to the current episode (which I’m told it does, so it changes every week) but I just didn’t like the style of it. With the gears and whatnot. It made it seem very industrial to me, when the series of course is not. I think too that the time spent allowing the cities to build themselves, if that was removed, would provide room for better explanations. Such as time to zoom back out and establish that Pentos is way over to the right, instead of zooming close in on land to the right to show Pentos, which doesn’t give a sense of position as well. I know some people have raved about the title sequence, but I’m not a fan. I kinda hope it gets changed. HBO did it with Big Love afterall.

The best performance goes to Mark Addy in my mind. His bit in the crypt about Lyanna was some stellar acting, and my favorite scene I think. I wasn’t sure about Mark Addy at first, knowing him only for his comedic roles (Full Monty, Still Standing, A Knight’s Tale). But he was very good as Robert.

My favorite line from the premier is “There is no Dothraki word for “Thank You.””, and I can tell Iain Glen is going to do excellently as Mormont.

I liked it of course, I’m ecstatic about the season 2 pickup. I love ship battles, love them, I’m reading the Master and Commander series right now, and I can’t wait for the Battle on the Blackwater, but that is going to be expensive, so I hope HBO doesn’t skimp on it, but I fear they may. Of course we’ve got some pedigree from the movie Troy working on this, and while they did not have any ship battles, they had a lot of shots of many ships in that movie, so maybe that will help. Maybe they’ll know a cheaper way to do it. If they really put the budget into that battle though, that is going to be some stellar TV. The problem is that they won’t just need faraway shots of ships, they’ll need sets, on water, of multiple hulls. With Rome HBO largely did not show battles, only aftermath, to save money likely. Hopefully, with advances in CGI since then, they’re able to show us the full Blackwater fight.

On the same token, I wonder if they’re ever going to show us the Dothraki hoard. All we have right now is Viserys comment about what he would allow be done to his sister to identify their size. A picture though can speak a thousand words, and no shots in the premier, nor in any footage shown thus far to the public, has shown how large a group they are. I think a single aerial shot of tents and campfires would go a long way towards establishing that.

In summary, I thought the acting was great, the faithfulness to the books was great. the sets and costumes were great. The editing, cinematography, and directing were so/so (but will change in future episodes) and the title sequence I did not like.

The series also seems to be a success, which is great. Season 2 pickup, good ratings here in the US, outstanding record ratings overseas, and as well, it is supposedly HBOs more lucrative series overseas ever, beating even the Sopranos. The head of HBO said that they fully expect it to be a grower of a series, like TrueBlood was/is, which is also good, because I agree, and it means they’re expecting and willing to give it time. I think once the season is over, and people here how awesome the plot and the finale was, people will start to watch it, on DVD, on demand, on rerun, etc. During the dog days of summer with nothing new is on, that is how I originally got hooked on TrueBlood, and then, when the Season 2 premier comes, hopefully more people will watch it, having been hooked, and that will truly be a sign of a successful series. If you can grow viewership year over year.